Sydney’s Enmore Theatre has seen its fair share of wild nights, but March 16, 2024, will go down as one of the most electrifying in recent memory. A sold-out crowd packed the venue for the second night running, with a palpable energy in the air. Word had already spread about the chaos of the previous show—the bars had been drained dry, the crowd had been relentless, and expectations were sky-high. As security guards whispered tales of the previous night’s madness, one thing was clear: this was going to be a gig to remember. And with Jacob Fitzgerald & The Electric City, Blossoms, and the mighty Kasabian on the bill, Sydney was in for an absolute belter of a night.

First up was Jacob Fitzgerald & The Electric City, a band that hit the ground running and didn’t let up for a second. With Jacob himself on vocals and guitar, backed by Rick on guitar, Liam on bass, and Angus “The Red Rocket” McKean on drums, they delivered an opening set that was raw, powerful, and dripping with rock ‘n’ roll swagger. “We’re a little band trying to be a big band,” Jacob admitted, but the way they commanded the stage made them feel like they belonged on far bigger platforms.

With a tight five-song set, including ‘Hurt Me Harder,’ ’Gun Shy (Girl Like You)’, ‘Penny Lane,’, ‘Muse’, and ‘Sophia’ they showcased huge melodies, soaring choruses, and a stage presence well beyond their years. Jacob’s connection with the crowd was immediate and authentic, thanking those who turned up early for the “support support” act and making it clear how much they appreciate everyone who loves live music. After their set, they cemented that genuine connection by hanging around at the merch stand, chatting with fans—old and new alike. A band to watch? Absolutely.

Next up was Blossoms, and if Jacob Fitzgerald brought the fire, Blossoms brought the cool, vintage charm. Their retro aesthetic and effortless swagger set them apart immediately, with the drummer sporting a cheeky “I ❤️ Sydney” t-shirt that only added to their laid-back but polished presence. Their sound was a dreamy fusion of indie-pop hooks, rich harmonies, and synth-driven melodies, and from the moment they kicked off, the crowd was locked in.

Their nine-song set was filled with fan favourites, but it was ‘Gary’ that truly stole the show. Inspired by the bizarre real-life tale of a fibreglass gorilla stolen from a Scottish garden centre, the track’s infectious melody and anthemic harmonies made it an instant crowd-pleaser. Other highlights included ‘Charlemagne’, ‘Your Girlfriend’, and ‘Honey Sweet’ all of which had the Enmore singing along in full voice. Blossoms proved to be the perfect bridge between the raw energy of the opening act and the sheer chaos about to unfold with Kasabian.

Then came Kasabian, and from the very first moment, it was clear Sydney was in for an absolute riot. With no foldback monitors cluttering the stage, Serge Pizzorno had total freedom to dominate the space, bounding across the floor with a relentless energy that never let up. “There’ll be no f***ing about tonight, Sydney!” he roared—and he wasn’t lying.

Right from the outset, Serge demanded a mosh pit, and the crowd was more than happy to oblige. Drinks flew, voices soared, and the Enmore became a swirling mass of movement. With a setlist built for carnage, there was barely a moment to catch breath. ‘Stevie’ and ‘Hell of It’ saw Serge charging into the mosh pit, microphone in hand, feeding off the insanity around him. ‘Treat’ pushed the energy into overdrive—only for the band to drop Faithless’ ‘Insomnia’ straight into the mix, igniting the venue into total chaos. ‘Empire’ turned into a tribal, hypnotic explosion, with Serge orchestrating the entire Enmore to get low before launching back into an eruption of bouncing bodies and swirling pits.

As the band exited the stage, the crowd refused to let them go, with deafening chants of “One more song!” echoing through the Enmore. Kasabian didn’t disappoint. Their encore was pure perfection. “LSF” started slow and acoustic, only to build into a euphoric explosion of sound. At its peak, Serge appeared up on the Enmore’s balcony, looking down on the mosh pit losing their minds below him. Finally, ‘Fire’ brought the house down—literally. The entire venue bounced as one, with the chorus ringing out long after the band had put down their instruments. Even when Kasabian had left the stage, the crowd kept chanting “Fire”—rumour has it, they’re still chanting now.

As the dust settled, Serge made one last promise to Sydney: he’ll be back, year after year because he f***ing loves Australian fans. If tonight was anything to go by, Australia will be waiting. This was more than just a gig—it was a celebration of live music, of mateship, of nights that remind us why we go to concerts in the first place. From Jacob Fitzgerald & The Electric City’s fiery ambition to Blossoms’ indie coolness, and finally, to Kasabian’s sheer, unstoppable force, this was one for the books.

Sydney needed this. And Sydney showed up.

Rating: 11/10. Would still be chanting “Fire” if my voice hadn’t given out.

Thank you to the Bands, Destroy All Lines, MorseCode PR, and the Enmore Theatre for having us along.

Photo gallery Kasabian - Australian Tour 2025

Review and Photos by Andy Kershaw (andykershawphotography.shootproof.com)